7000 Marks  ·  Barn Razing  ·  Betty Rymer  ·  Break  ·  Caledonia (Carbon Pine)  ·  Connect The Lots  ·  Converse  ·  Cure  ·  Drift  ·   Flo[we/u]r  ·  Forever  ·  Happening at Site A  ·  How to House a Kiln  ·  How to Unmake an American Quilt  ·  Johnny Appleseed  ·  K[ne(e){a}d]  ·  Knob  ·  Laboratory for Material Thinking  ·  Le Musee du Grand Dehors  ·  Long Chain Polymer  ·  New Homestead Act  ·  Paleo.pdf  ·  Past Present Perfect  ·  Past Times  ·  Pleasant Home  ·  Polyculture   ·  Preamble  ·  Project Fielding | Tooling Camp  ·  Project Fielding | Resistance Architecture  ·  Pulling Through  ·  Re.Pur.Pose  ·  Redress  ·  Rutherford Hall  ·  Shock and Awe + New Venus  ·  Siteware  ·  Souvenir  ·  Tapping the Audience  ·  Tea Project  ·  Treacle  ·  Tree Less  ·  Verge  ·  Watershed  ·  Weapons Project  ·  Where There Were Many  ·  With/Draw  ·  Witness Tree ·  Work In Progress  ·  YoYo Magazine

with/draw

With Rebecca Keller

Creating new topographies, with/draw invites the audience to respond to the undulating surfaces of objects freshly dipped in plaster.  These “harvested objects” — items that would otherwise be thrown away — allow audiences to play with surface form and decoration, masking any original functionality. Devoid of the pressure to represent meaning through words or images people readily join in by taking up object and pencil, tracing and inventing contours. The plaster and pencil create playful potential.

Special thanks to everyone at Bartam’s Garden.

Art in the Open — Philadelphia, Pennsylvania — 2011