7000 Marks · Barn Razing · Betty Rymer · Break · Caledonia (Carbon Pine) · Connect The Lots · Converse · Cure · Drift · Flo[we/u]r · The Forest University · Forever · Happening at Site A · How to House a Kiln · How to Unmake an American Quilt · Inheritance · Johnny Appleseed · K[ne(e){a}d] · Knob · Laboratory for Material Thinking · Le Musee du Grand Dehors · Long Chain Polymer · New Homestead Act · Paleo.pdf · Past Present Perfect · Past Times · Pleasant Home · Polyculture · Preamble · Project Fielding | Tooling Camp · Project Fielding | Resistance Architecture · Pulling Through · Re.Pur.Pose · Redress · Rutherford Hall · Shock and Awe + New Venus · Siteware · Souvenir · Tapping the Audience · Tea Project · Treacle · Tree Less · Verge · Watershed · Weapons Project · Where There Were Many · With/Draw · Witness Tree · Work In Progress · YoYo Magazine
Forever
With Robin Lambert
Through an open call, FOREVER connects the archival nature of clay to the poetic and preposterous nature of a FOREVER postage stamp. Ceramic material provides us with some of our oldest records of history. The FOREVER stamp, a promise that you will be able to mail a letter in perpetuity, offers the possibility of imagining an equally distant future.
Participants sent us a bit of wet clay. The journey through the postal system left its impression on the material. These marks become a tale, connecting this project to our earliest writing on clay. During NCECA at the Morean Arts Center for Clay, this archive was on display.
Morean Arts Center for Clay — St. Petersburg, Florida — 2011