7000 Marks  ·  Barn Razing  ·  Betty Rymer  ·  Break  ·  Caledonia (Carbon Pine)  ·  Connect The Lots  ·  Converse  ·  Cure  ·  Drift  ·   Flo[we/u]r  ·  The Forest University  ·  Forever  ·  Happening at Site A  ·  How to House a Kiln  ·  How to Unmake an American Quilt  ·  Inheritance  ·  Johnny Appleseed  ·  K[ne(e){a}d]  ·  Knob  ·  Laboratory for Material Thinking  ·  Le Musee du Grand Dehors  ·  Long Chain Polymer  ·  New Homestead Act  ·  Paleo.pdf  ·  Past Present Perfect  ·  Past Times  ·  Pleasant Home  ·  Polyculture   ·  Preamble  ·  Project Fielding | Tooling Camp  ·  Project Fielding | Resistance Architecture  ·  Pulling Through  ·  Re.Pur.Pose  ·  Redress  ·  Rutherford Hall  ·  Shock and Awe + New Venus  ·  Siteware  ·  Souvenir  ·  Tapping the Audience  ·  Tea Project  ·  Treacle  ·  Tree Less  ·  Verge  ·  Watershed  ·  Weapons Project  ·  Where There Were Many  ·  With/Draw  ·  Witness Tree ·  Work In Progress  ·  YoYo Magazine

Forever

With Robin Lambert

Through an open call, FOREVER connects the archival nature of clay to the poetic and preposterous nature of a FOREVER postage stamp. Ceramic material provides us with some of our oldest records of history. The FOREVER stamp, a promise that you will be able to mail a letter in perpetuity, offers the possibility of imagining an equally distant future.

Participants sent us a bit of wet clay. The journey through the postal system left its impression on the material. These marks become a tale, connecting this project to our earliest writing on clay. During NCECA at the Morean Arts Center for Clay, this archive was on display.

Morean Arts Center for Clay — St. Petersburg, Florida — 2011